Inspired by Anita Sarkeesian’s Video Game Tropes vs Women, I wanted to pitch a Zelda game where Zelda herself was the hero, rescuing a Prince Link.
Clockwork Empire is set 2,000 years after Twilight Princess, and is not a reboot, but simply another iteration in the Zelda franchise. It just so happens that in this case, Zelda is the protagonist. I’m a very big Zelda fan, and worked hard to draw from key elements in the continuity and mythos.
This concept work is meant to show that Zelda as a game protagonist can be both compelling and true to the franchise, while bringing new and dynamic game elements that go farther than being a simple gender swap.
Hope you like it!
The Irritating Gentleman - Berthold Woltze
Everyone is overlooking something very significant in this picture, that I saw in two seconds, that adds a layer of super slime to his whole awful attitude. “The Irritating Gentleman” is a politeness.
She’s wearing all black in 1874. Black gloves, hat, cloak, and dress. In public. The whole nine yards. That’s not a fashion choice or a gothic thing. Back then when people wore all black like that, they were in mourning for someone who died. No one did mourning like the Victorians, that shit was an art form to them.
Someone in her family has died—she could even be a young widow. No one’s accompanying her either. With the carpet bag? She’s traveling alone while still in deep mourning. Look at the closeup. She’s got tears in her eyes. She is upset, devastated in a way that one is only when someone has died. And the guy’s still bothering her, like her problems are flippant bullshit and she needs to just smile or pay attention to him because ladies are supposed to be pleasing for men no matter what shit they’re going through. That’s not a look of “what an ass.” That’s a look of devastation that even in her pain, she’s expected to give people like him focus. She’s not mad. She’s hurt. And to add insult to injury? Everyone would be able to tell. It was a clear sign and still is in ways that someone is mourning, to dress in black crepe like that. He would know why she’s wearing all black, and he’s still demanding her attention.
What an insufferable dick.
I’m reblogging myself to add some comments from my mom. She’s a docent at the Portland Art Museum, and I wanted to see her take on this painting, given her art/art history knowledge. She said:
“Just looking at it I’d say she’s recently lost her parent(s). She’s traveling alone and is waiting in a station that would be considered too “rough” for a lady in high standing. The crates around her, even the behavior of the man would indicate she’s in a rough part of town. Also, there’s a tear on her face, so not only is she grieving a loss, she’s grieving a loss of position and safety in the world.”
on the subjects of boobs and shirts and boobs in shirts
Ok I was recently reminded that this exists (i-I think someone DA-famous linked it or something because WHAT) and I think this may be relevant to tumblr’s interests so here’s my~female body variation tutorial~ whoo~
This came from some things I scribbled down when I was trying to keep my character designs consistent, and I realised that it kinda made me see bodies/proportions somewhat differently so I pasted it into this smarmy old tutorial, now cut up into (I hope) tumblr-friendly chunks so right-click for full size I think? (disclaimer: I don’t know anything and it is so far past my bedtime that it’s been tomorrow for a whole day so I’m going to nap and then maybe regret posting this.)
I’m posting this because it addresses every single reply I get about asking for body variation and being told “I don’t want muffin-top in my videogames/comics”. Body variation does NOT automatically mean “make the women fat”. This reminds me of that Dove beauty commercial, especially that last lineup. I have it somewhere, I’ll have to post it.
KARINE GET BACK TO YOUR STORYBOARDS *whipcrack*
Puella Magi Madoka Magica
every so often, I wonder why I’m doing this cosplay
then something like this comes along and kicks my feels in the gut
You’re strong, you can fly.
My hero! <3
Nüshu (literally “women’s writing” in Chinese) is a syllabic script created and used exclusively by women in the Jiangyong County in Hunan province of southern China. Up until the late Qing Dynasty (1644-1912) women were forbidden access to formal education, and so Nüshu was developed in secrecy as a means to communicate. Since its discovery in 1982, Nüshu remains to be the only gender-specific writing system in the world.
Read more here.